Blog: Street Shots

Street Shots at the Camera Club of New York

July 10, 2008 – 2:29 pm

Come join WNYC Radio and the Camera Club of New York at our gallery show sponsored by Adorama and Adoramapix.com. On display, you’ll find the work of our winning photographer, Joe Wigfall, the latest video short by the producers of Street Shots, as well as a selection of shots from our photography competition, The Street Shots Challenge.

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“Stormy Day” by Joe Wigfall

The Street Shots Challenge Show
Featuring Joe Wigfall and Challenge Finalists
The Camera Club of New York
Hell’s Kitchen

336 West 37th Street (map)
July 10 - August 8, 2008

The Camera Club of New York is open Monday through Friday from 12-6pm, Saturdays 2-6pm, and other times by appointment only.

Joe Wigfall Wins the Street Shots Challenge

July 1, 2008 – 12:22 pm

WNYC Radio and our contest judge Luc Sante are pleased to announce the winner of the Street Shots Challenge: Joe Wigfall.

“Joe Wigfall combines psychological acuity with impeccable composition–on the fly, of course–and a deep, virtually Rembrandt-etching feeling for tonality. Mr. Wigfall knows his people intimately–you sense that he finds a bit of himself in every one of his subjects. In addition, there’s a mystery in every shot, something left unresolved that works on our imaginations.”
-Luc Sante, Street Shots judge

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“The Rubberband Man” by Joe Wigfall

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“I’m Out I’m Out!” by Joe Wigfall

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“Windy Day” by Joe Wigfall

You can see more of Joe’s winning shots on Flickr, or you can join WNYC Radio and the Camera Club of New York at our upcoming gallery show sponsored by Adorama and Adoramapix.com. The event will feature the work of our winning photographer, the latest video short by the producers of Street Shots, as well as a selection of shots from our photography competition, The Street Shots Challenge.

So, join us. We will be hosting an opening at the Camera Club of New York, 336 West 37th Street (map) on July 10th from 7-9pm, and then meet with you all informally at Zipper Factory Tavern right next door. The work in the Camera Club of New York’s gallery will then be open for viewing from July 11th through August 8th, Monday through Friday 12-6pm, Saturdays 2-6pm, and other times by appointment only.

WNYC to Host Photography Show with the Camera Club of New York

June 26, 2008 – 5:54 pm

kids
Photo by Rocco Kasby

This summer, WNYC has celebrated New York’s long history of street photography through our video shorts, conversations on WNYC Radio programs, and The Street Shots Challenge. Now, we’re adding one more interactive element: our very own gallery show.

WNYC Radio and the Camera Club of New York are pleased to announce our upcoming gallery show featuring a selection of work from our photography competition, The Street Shots Challenge. The show will also feature the work and story of our winning photographer in a new video short by the producers of Street Shots.

The winner, selected by Street Shots judge Luc Sante, will be announced here on the blog July 1st, and the the video profile will be available both online and inside the gallery starting July 10th. In addition to our winner, several finalists will also be selected and featured in the gallery show.

So, join us. The show will be up at the Camera Club of New York, 336 West 37th Street (map) from July 10th through August 8th. The gallery is open Monday through Friday 12-6pm, Saturdays 2-6pm, and other times by appointment only.

Judging Street Photography with Luc Sante

June 19, 2008 – 6:01 am

WNYC Street Shots Producer Benjamen Walker and Judge Luc Sante: facing the microphone and the sun

The response to our Street Shots contest has been truly overwhelming: 7000+ pictures and 800+ participants. The WNYC culture staff is hard at work identifying potential winners, but we are bringing in a judge with a fine eye to make the final call. Luc Sante, is an author, historian, and a picture blogger and when it comes to New York photography, one of the finest eyes out there. Lucky for us he has agreed to pick our winner from the pack. On one of his recent visits to the station we took a walk to nearby Columbus Park to record a conversation for the radio.

You can listen to our conversation over here, or check out our extended, unedited version below:

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Gary Winogrand and the soul of NYC Street Photography

June 9, 2008 – 3:04 pm

Street Photography is a popular genre, but there is by no means a consensus on what exactly its contours are. In fact all of our Street Shots cast members have different approaches and methods. And check out the 4700+ photos in our contest, again a wide range of themes and approaches. But just so you know, there is one name that pretty much everyone we have spoken to brings up when we ask about street photography, and that name is: Gary Winogrand.

garry_winogrand.jpgGary Winogrand is best known for the pictures he took on the streets of New York with his 35mm Leica camera in the 60s and 70s, but he was always taking pictures up until his premature death in 1984. His archives still contain thousands of undeveloped rolls of film. Winogrand had a style and a wit that was totally unique, but yet he influenced generations of photographers. He is still a major inspiration for many working photographers today. Personally, whenever I hear the phrase ’street photographer,’ I have a vision of Gary Winogrand.

Here is a great interview with Gary Winogrand from a 1982 Bill Moyers program. And here is a link to an online gallery.

How does Jamel Shabazz do it?

May 29, 2008 – 6:32 pm

While we we were making our video of Jamel Shabazz, he stopped to talk with a group of street fighters in Union Square. They were tough looking guys, with hoods over their heads, tear drop tattoos, and their fists were raised.

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“Can I take a picture of you fighters of men?” Jamel asked.

The street fighters looked back him, confused. Jamel continued, “What I like to do with martial artists is get them with a strong stance. I know you guys can do that because you’re legendary.”

This is an approach Jamel has mastered over the years. When he first started asking for permission, he found that his subjects were always asking him back, “Why do you want to take a picture of me?”

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Needless to say, Jamel’s picture came out great. As he walked away, he was sure to thank his new friends. He lamented, “I would love to fight with y’all, train with you… too bad I’m not dressed right.”

The surprising thing about Jamel, and the secret you’d never hear behind all the smiles in his books, is that when Jamel approaches someone he’d like to photograph, he still worries he’ll be told no. After each picture he took with us, Jamel would smile with relief and say, “I was really expecting a no.”

Asking permission always changes the picture you take, but possibly for the best. Check out the discussion over on our the Street Shots Challenge page.

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This picture comes from Flickr user whirrdz. While she was walking in the Bronx one day, she spotted her friend’s neighbor tending his sunflower garden. She writes, “When he went to move out of the way, I said ‘Oh, no — with you, please. That would be even better.’”

So, let’s continue the conversation. Whose bedside manner do you prefer—Bruce Gilden, who doesn’t want you to notice him until you’re blinking the flash out of your eyes, or Jamel Shabazz, who wants to tell you how nice you look today?

Streetshots: The Prequel

May 27, 2008 – 3:48 pm

The Street Shots Challenge to date has attracted more than 2,000 submissions and counting. Meanwhile, the videos staring Bruce Gilden, Jamel Shabazz, and Sandra Roa have been viewed more 200,000 times, with more videos to come. But bringing super shutterbugs together is by no means a new idea.

In fact WNYC did it before, 58 years ago.

steichen1.jpgIn October 1950 WNYC and the Museum of Modern Art came together to explore “What is Contemporary Photography.” Edward Steichen, MOMA’s first Photographer-in-Chief moderated a broadcast panel that in hindsight, was incredibly stacked with photographic luminaries: Margaret Bourke White, Walker Evans, John Mealy, Lisette Model, Wright Morris, Homer Page, Irving Penn, Ben Shahn, Charles Sheeler and Aaron Siskind.

Thanks go to WNYC archivist Andy Lanset for digging this gem up and to WNYC and MOMA for putting it together in the first place. Be warned that there are a few hiccups in the audio, but nothing that will keep you from enjoying the discussion.

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Stick with us here on the blog as Streetshots puts New York Street photography in context with audio from Low Life Author and picture-blogger Luc Sante, Photographer and Director of the Yale School of Photography Tod Papageorge, and a special guest on the Leonard Lopate show.

How Does Bruce Gilden Do It?

May 21, 2008 – 5:27 pm

It’s hard to watch Bruce Gilden in action, and not feel a strong reaction to his methods. Take the members of the Flickr group Hardcore Street Photography. One member wrote, “I got nervous just watching that” and another member asks, “I wonder how many times he gets thumped for doing that?” And over on the Rangefinder forum, Alex from Holland laments, “If i do that over here i get home (if i am lucky) with 2 blue eyes and a broken nose!!”

But some photo forum members say that they can relate to and learn from Gilden’s questionable methods. Back on Flickr, a member of the Kuwait Science Club, of all places, wrote, “watch and learn. I did.” And one photographer from the Rangefinder forum, has brought Gilden’s style to the terrified streets of Stockholm, Sweden:

Joakim Mathiasson

So, how does Bruce Gilden get away with this? When I was on 5th Avenue with him, watching him cram his flash into the faces of unsuspecting pedestrians, we asked him, “Does anyone ever get mad at you for doing that? What do you tell them?”

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Want to ask him that yourself? Bruce Gilden will be on WNYC’s Brian Lehrer Show this Friday, discussing what you can and cannot shoot with Eileen Clancy, a representative from PictureNY.org. You can give the show a call this Friday, May 23rd from 11:30am-12:00pm EST, or you can chime in by leaving a comment here.

While you’re at it, who do you think is the tougher photographer—Bruce Gilden, for sticking his camera in the faces of strangers, or Sandra Roa, for braving the streets of Jackson Heights to tell stories?

Behind the Scenes at NYPH

May 20, 2008 – 4:20 pm

Tim Barber drillsLast week, I had the chance to speak with artists and curators at the New York Photo Festival in DUMBO while they set up their galleries.

One of the voices in my story was Tim Barber, a man of many hats. He’s a photographer, a digital curator and a DIY photobook publisher. When I met him, he was wearing his Beavis and Butthead hat, and he was concerned about some changes that had been made in the plans for his exhibition.

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I also had the chance to sit down with photography legend Martin Parr. While we chatted, we wondered how photographer Robert Frank feels about the changes we’re seeing today in the world of photography.

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Robert Frank at Lincoln Center

May 16, 2008 – 5:33 pm

Last night at Lincoln Center, Robert Frank made a rare public appearance to celebrate the 50th anniversary of his book The Americans. The place was, predictably, packed with photographers. The Americans is pretty much the book on photography. As one young photographer put it to me outside the theater, “It is the book that shows you what photographs are supposed to look like.” The program included a screening of Frank’s 1959 film Pull my Daisy, excerpts from an upcoming documentary on Robert Frank, and a preview of the 2009 blockbuster museum show on The Americans. The highlight of the evening, though, was the live conversation between journalist Charlie LeDuff and Robert Frank.
LeDuff wrote about his recent trip to China with Frank for Vanity Fair - and after reading that piece, I couldn’t help but worry that he might not be the right kind of interviewer for this event. In my opinion, he wasn’t.

He made a big show of cracking open a beer when he rushed the stage but he quickly lost track of it and, from my vantage point, everything else.

Leduff tried to win the audience over with some bongo playing (didn’t work for me) and tried to impress the audience with his shot at a “deep” question, “Bob, is photography art?” (that didn’t work for me either). I saw photographer Joel Sternfeld go ashen, and the stately Bruce Davidson check his watch every 5 seconds. Eventually, the audience took over and started asking questions of its own. Things picked up from there, and Frank talked about some of his favorite photos. Like this one, Indianapolis, by Robert Frank, from the 50th Anniversary Edition of Robert Frank: The Americans, Published by Steidl, 2008.
Indianapolis, photograph by Robert Frank, from the 50th Anniversary Edition of Robert Frank: The Americans, Published by Steidl, 2008

You can listen to the whole thing yourself here:

Robert Frank/Charlie LeDuff

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After the event I spoke to a young photography student from Holland who had waited 2 hours in the standby line for the chance to hear her favorite photographer speak - listen:

Outside Lincoln Center

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